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Democratic Rep. Sheila Cherfilus-McCormick resigns moments before House Ethics Committee hearing

Embattled Rep. Sheila Cherfilus-McCormick, D-Fla., abruptly resigned Tuesday, just moments before a scheduled House Ethics Committee hearing that was expected to determine potential disciplinary action against her.

Cherfilus-McCormick’s resignation comes amid mounting pressure in Congress. Lawmakers had been considering a vote to expel her, a rare action requiring a two-thirds majority. While expulsion has historically been uncommon, recent precedent has made it more plausible even before a criminal conviction.

The case centers on allegations tied to Cherfilus-McCormick family’s company, Trinity Healthcare Services, which held a contract related to COVID-19 vaccination efforts. According to prosecutors, the company received a $5 million overpayment that was never returned. Instead, investigators allege the funds were routed through various accounts and partially used for campaign expenses.

The panel had been preparing to recommend penalties following its finding last month that Cherfilus-McCormick committed 25 ethics violations. These included improperly accepting campaign donations and mixing campaign funds with personal finances. Separately, a federal indictment alleges she misused $5 million in Federal Emergency Management Agency funds, which prosecutors claim were funneled into her 2021 campaign. She has pleaded not guilty and maintains the situation stems from accounting mistakes.

In her resignation statement, Cherfilus-McCormick sharply criticized the proceedings, calling them a “witch hunt.” She argued the committee’s decision to move forward while her criminal case is pending denied her a fair chance to defend herself, adding that she would not allow her “due process rights to be trampled on” or her reputation damaged. Cherfilus-McCormick added that “rather than play these political games, I choose to step away so that I can devote my time to fighting for my neighbors in Florida’s 20th district. I hereby resign from the 119th Congress, effective immediately.”

With her departure, Ethics Committee Chairman Michael Guest announced the panel no longer had authority over the matter, emphasizing the investigation had been thorough and deliberate. Ranking Democrat Mark DeSaulnier acknowledged the difficulty of the situation, noting that no one involved took the outcome lightly.

Despite the accusations, Cherfilus-McCormick has consistently denied wrongdoing and said she looks forward to proving her innocence in court. Her trial is currently scheduled for 2027. Her exit marks the third congressional resignation in a short span, following the departures of two other lawmakers — Reps. Eric Swalwell, D-Calif., and Tony Gonzales, R-Texas — who were both under scrutiny for alleged sexual misconduct.

Editorial credit: Katherine Welles / Shutterstock.com

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Southern Poverty Law Center says they are under investigation by DOJ over past informant program

The Southern Poverty Law Center (SPLC) says it is facing a Justice Department investigation that could lead to criminal charges, tied to its previous use of paid informants to monitor violent extremist groups.

In a statement released Tuesday, interim CEO Bryan Fair said the organization believes the inquiry centers on how it once compensated confidential sources to gather intelligence. Fair in a video posted to YouTube: “although we don’t know all the details, the focus appears to be on the SPLC’s prior use of paid confidential informants to gather credible intelligence on extremely violent groups. This use of informants was necessary because we are no stranger to threats of violence. In 1983, our offices were firebombed, and in the years since, there have been countless credible threats against our staff.”

Fair defended the practice, explaining that informants were used to track credible threats and protect both staff and the public. He noted that the organization frequently shared information with law enforcement, including the FBI, while keeping the identities of informants confidential for safety reasons. SPLC no longer uses paid informants but continues to emphasize their protection, he added.

Highlighting the group’s history, Fair pointed to past violence directed at the organization — including a 1983 firebombing — and said such risks made intelligence-gathering necessary. “There is no question that what we learned from informants saved lives,” he said.

Founded in 1971 in Montgomery, Alabama, the SPLC is a nonprofit known for tracking hate groups and pursuing civil litigation against white supremacist organizations. Over the years, it has drawn criticism from Republicans and conservative groups, who argue it unfairly labels right-leaning organizations as extremist.

Fair suggested the investigation reflects broader political targeting. “We are therefore unsurprised to be the latest organization targeted by this administration. They have made no secret of who they want to protect and who they want to destroy,” he said. He also made clear the organization plans to push back, stating, “We will not be intimidated into silence or contrition, and we will not abandon our mission or the communities we serve.”

The probe is reportedly being handled by federal prosecutors in Alabama and could further intensify ongoing political disputes surrounding the SPLC’s work and its relationship with law enforcement. The Justice Department has not publicly commented on the matter.

Editorial credit: Mccallk69 / Shutterstock.com

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Country Daypop

Ne-Yo drops the country-leaning single ‘Up, Out & Gone’

NE-YO has dropped his latest song, “Up, Out, & Gone,” his second country-leaning single released under Compound Entertainment and Atlantic Outpost.

Blending NE-YO’s signature smooth R&B style with modern country influences, the song captures a carefree spirit and encourages living in the moment, highlighted by lyrics like “Dancing under moonlight, sipping on something strong. The good times don’t last long, so we up and we out, and we gone.” It builds on the direction introduced in his earlier country-inspired release, “Simple Things,” further showcasing the natural connection between R&B and country through storytelling and emotion.

This new chapter comes during a major milestone year for NE-YO, who recently marked the 20th anniversary of his debut album In My Own Words, the project that launched his career and featured the hit “So Sick.” He also made his Broadway debut in Hell’s Kitchen, the award-winning production created by Alicia Keys.

Looking ahead, NE-YO is set to take this fresh sound on the road as he joins Akon for the “Nights Like This” global tour. The 57-city run kicks off April 24 in Dublin, Ireland, with stops across major cities including London, Paris, Atlanta, and Houston, before wrapping August 21 in Inglewood, California.

Stream “Up, Out, & Gone – HERE.
See the visualizer – HERE.

Editorial credit: Andre Luiz Moreira / Shutterstock.com

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Country Daypop

Ella Langley’s album ‘Dandelion’ debuts at No. 1, as “Choosin’ Texas” continues to top the Billboard 100

Ella Langley is having a career-defining week, with her second album Dandelion opening at No. 1 on the Billboard 200. The project not only marks her first chart-topping album, but also delivers the biggest week of 2026 for any female artist—and the strongest showing for a country album by a woman in two years.

Dandelion earned 169,000 equivalent album units in its first week, according to Luminate, and helped propel Langley to No. 1 on the Billboard Artist 100 for the first time. With that achievement, she joins a short list of superstars—Taylor Swift, Adele, Beyoncé, Ariana Grande, and Olivia Rodrigo—who have led the Artist 100, Hot 100, and Billboard 200 simultaneously.

At the same time, her hit single “Choosin’ Texas” continues its remarkable run, holding the No. 1 spot on the Billboard Hot 100 for a seventh week while leading the Hot Country Songs chart for 21 weeks. With both an album and single atop the charts, Langley becomes just the second woman in country music to achieve the feat—and the first to do it with entirely new material.

The success doesn’t stop there. Another standout track from Dandelion, “Be Her,” has climbed to No. 4 on the Hot 100 and sits at No. 2 on Hot Country Songs, giving Langley two songs in the Top 5 simultaneously—a first for a female country artist. She’s also made history by dominating streaming and airplay, becoming the first woman to hold the top two spots on the Streaming Songs chart with country tracks and placing two solo songs in the Top 10 on Country Airplay at the same time.

The album’s reach is extensive, landing 15 tracks on the Hot 100, all anchored by “Choosin’ Texas.” Langley also co-wrote and co-produced both that single and “Be Her,” further highlighting her creative control over the project. Dandelion was executive-produced alongside Miranda Lambert and Ben West.

Beyond the charts, Langley has leaned into strong visual storytelling. Her extended video for “Choosin’ Texas” celebrates Lone Star culture, featuring appearances from Luke Grimes, Ava Phillippe, Miranda Lambert, and Kaitlin Butts. Set in a lively honky-tonk, the video blends rodeo influences, dance, and live music to capture an authentic Texas atmosphere. See the video for “Choosin’ Texas” – HERE.

Langley also recently joined Morgan Wallen on his Still The Problem Tour, surprising fans in Alabama with a hometown appearance at Bryant-Denny Stadium, where the pair debuted their new collab, “I Can’t Love You Anymore.”  Morgan told the crowd: “Ella wrote this song and sent it to me about a month ago, and I loved it.”

Looking ahead, Langley is set to launch her first headlining arena trek, The Dandelion Tour, beginning May 7 in Toledo, Ohio, and wrapping August 15 in Fort Worth, Texas. She’ll also continue touring with Wallen and make major festival appearances, including her debut at Stagecoach Festival.

Stream ‘Dandelion’ – HERE.

Editorial credit: Joe Seer / Shutterstock.com

Categories
Pop Daypop

Ella Langley’s album ‘Dandelion’ debuts at No. 1, as “Choosin’ Texas” continues to top the Billboard 100

Ella Langley is having a career-defining week, with her second album Dandelion opening at No. 1 on the Billboard 200. The project not only marks her first chart-topping album, but also delivers the biggest week of 2026 for any female artist—and the strongest showing for a country album by a woman in two years.

Dandelion earned 169,000 equivalent album units in its first week, according to Luminate, and helped propel Langley to No. 1 on the Billboard Artist 100 for the first time. With that achievement, she joins a short list of superstars—Taylor Swift, Adele, Beyoncé, Ariana Grande, and Olivia Rodrigo—who have led the Artist 100, Hot 100, and Billboard 200 simultaneously.

At the same time, her hit single “Choosin’ Texas” continues its remarkable run, holding the No. 1 spot on the Billboard Hot 100 for a seventh week while leading the Hot Country Songs chart for 21 weeks. With both an album and single atop the charts, Langley becomes just the second woman in country music to achieve the feat—and the first to do it with entirely new material.

The success doesn’t stop there. Another standout track from Dandelion, “Be Her,” has climbed to No. 4 on the Hot 100 and sits at No. 2 on Hot Country Songs, giving Langley two songs in the Top 5 simultaneously—a first for a female country artist. She’s also made history by dominating streaming and airplay, becoming the first woman to hold the top two spots on the Streaming Songs chart with country tracks and placing two solo songs in the Top 10 on Country Airplay at the same time.

The album’s reach is extensive, landing 15 tracks on the Hot 100, all anchored by “Choosin’ Texas.” Langley also co-wrote and co-produced both that single and “Be Her,” further highlighting her creative control over the project. Dandelion was executive-produced alongside Miranda Lambert and Ben West.

Beyond the charts, Langley has leaned into strong visual storytelling. Her extended video for “Choosin’ Texas” celebrates Lone Star culture, featuring appearances from Luke Grimes, Ava Phillippe, Miranda Lambert, and Kaitlin Butts. Set in a lively honky-tonk, the video blends rodeo influences, dance, and live music to capture an authentic Texas atmosphere. See the video for “Choosin’ Texas” – HERE.

Langley also recently joined Morgan Wallen on his Still The Problem Tour, surprising fans in Alabama with a hometown appearance at Bryant-Denny Stadium, where the pair debuted their new collab, “I Can’t Love You Anymore.”  Morgan told the crowd: “Ella wrote this song and sent it to me about a month ago, and I loved it.”

Looking ahead, Langley is set to launch her first headlining arena trek, The Dandelion Tour, beginning May 7 in Toledo, Ohio, and wrapping August 15 in Fort Worth, Texas. She’ll also continue touring with Wallen and make major festival appearances, including her debut at Stagecoach Festival.

Stream ‘Dandelion’ – HERE.

Editorial credit: Joe Seer / Shutterstock.com

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Pop Daypop

Madonna shares ‘I Feel So Free’ from upcoming ‘Confessions On A Dance Floor: Part II’ release

Madonna has released the song “I Feel So Free” from her forthcoming album ‘Confessions On A Dance Floor: Part II’ (aka “Confessions II”), arriving July 3rd.

The song’s release comes fresh off Madonna’s surprise appearance during Sabrina Carpenter’s headlining Coachella set on April 17.

As previously announced, Confessions II serves as a long-awaited follow-up to Madonnas’ 2005 hit album Confessions on a Dance Floor, marking her first full-length release in seven years (since 2019’s Madame X).  Madonna revealed the album alongside striking cover art featuring her posed atop purple speakers in coordinated lingerie, her face partially obscured by sheer pink fabric. The announcement follows her recent return to Warner Records, nearly 20 years after leaving the label—a reunion she previously described as a full-circle moment in her career.

The new project reunites Madonna with producer Stuart Price, who helped shape the sound of the original record, known for tracks like “Hung Up,” “Sorry,” and “Jump.” The album will be available across multiple formats, including vinyl, CD, and cassette. In announcing the project, Madonna emphasized the deeper meaning behind dance music, quoting lyrics from her upcoming song “One Step Away”: “People think that dance music is superficial, but they’ve got it all wrong. The dance floor is not just a place, it’s a threshold: A ritualistic space where movement replaces language.”

She expanded on that idea in a statement, describing the creative vision she shared with Price: “We must dance, celebrate, and pray with our bodies. These are things that we’ve been doing for thousands of years — they really are spiritual practices. After all, the dance floor is a ritualistic space. It’s a place where you connect—with your wounds, with your fragility. To rave is an art. It’s about pushing your limits and connecting to a community of like-minded people. Sound, light, and vibration/ Reshape our perceptions/ Pulling us into a trance-like state. The repetition of the bass, we don’t just hear it but we feel it. Altering our consciousness and dissolving ego and time.”

See the official visualizer for ‘I Feel So Free’- HERE.

Preorder ‘Confessions II’ – HERE.

Editorial credit: Sky Cinema / Shutterstock.com

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News Daypop

FBI Director Kash Patel files $250M defamation lawsuit against ‘The Atlantic’ over story on alleged drinking

FBI Director Kash Patel has filed a $250 million defamation lawsuit against The Atlantic and reporter Sarah Fitzpatrick, accusing them of false claims about his conduct and leadership. The case, filed in the U.S. District Court for the District of Columbia, targets a recent article that alleged Patel engaged in heavy drinking and had unexplained absences from his duties.

Patel strongly denied the accusations. In a statement, he said, “The Atlantic’s story is a lie,” adding that the publication had been warned about inaccuracies before going to print. “They were given the truth before they published, and they chose to print falsehoods anyway,” he said.

In the 19-page complaint, Patel’s legal team describes the story as a “sweeping, malicious and defamatory hit piece,” arguing it relied on inaccurate and fabricated information attributed to unnamed sources. The article cited multiple current and former officials who claimed Patel’s behavior—including alleged excessive alcohol use and inconsistent presence at FBI facilities—had raised concerns and disrupted decision-making.

The lawsuit challenges 17 specific claims, including allegations that Patel drank to the point of visible intoxication, struggled to be awakened by his security team, and frequented social venues excessively. His attorneys argue the statements are “false and defamatory,” asserting they were either easily disproven or recklessly published.

One incident highlighted in the article involved Patel being temporarily locked out of an internal FBI system on April 10, which reportedly led him to believe he had been dismissed. His legal team acknowledges the login issue but describes it as a routine technical glitch that was quickly resolved, rejecting claims that he “panicked” or reacted irrationally. The suit also states the FBI had informed the publication in advance that any suggestion of his firing was unfounded.

Patel’s attorneys further maintain that he maintains a consistent presence at FBI headquarters and frequently visits field offices, disputing claims of absenteeism. They also deny that alcohol use has ever affected his performance or raised concerns within government circles.

Patel, who became FBI director in February 2025 following Senate confirmation, has faced scrutiny during his tenure, including attention over public appearances and internal personnel decisions. His lawsuit argues that the sources cited in the article were biased and lacked direct knowledge, describing them as individuals with “axes to grind.”

The lawsuit marks Patel’s second legal action tied to media coverage of his alleged behavior. He previously sued former FBI official and MSNBC analyst Frank Figliuzzi over remarks suggesting he spent more time in nightclubs than at work; that case remains unresolved.

In response to Patel’s lawsuit, The Atlantic posted a statement on X, stating, “We stand by our reporting on Kash Patel, and we will vigorously defend The Atlantic and our journalists against this meritless lawsuit.”

Editorial credit: Consolidated News Photos / Shutterstock.com

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Two killed after juvenile “planned fight” turns into shooting at North Carolina park

A planned confrontation between two youths turned deadly Monday morning when gunfire broke out at a park in Winston-Salem, North Carolina, leaving two people dead and several others wounded.

Emergency calls initially reported a fight in progress around 9:52 a.m., but the situation escalated rapidly. Police say the incident began shortly before 10 a.m. at Leinbach Park, near Jefferson Middle School, when two young individuals who had arranged to fight met at the location. “This stemmed from a planned fight between two young individuals,” the Winston-Salem Police Department said. What started as a one-on-one altercation quickly spiraled out of control, with multiple people opening fire. “The situation escalated, and multiple individuals began shooting at each other,” authorities said.

According to the North Carolina State Bureau of Investigation, at least two victims were killed, though the total number of those injured remains unclear. Investigators are still working to determine how many people were involved and what roles they played, noting that some participants are juveniles. “Due to the number of people involved, efforts are ongoing to account for everyone. At this time, some of those involved in the incident are juveniles,” police said. Officials later described the violence as an isolated event, though the investigation remains active. Names and ages of those involved have not yet been released.

The shooting did not occur on school grounds, though nearby Jefferson Middle School was briefly placed on lockdown as a precaution. Officials confirmed that students were safe, and both Jefferson Middle School and Mount Tabor High School continued operating normally. Parents were advised they could pick up their children if they wished, though it was not necessary.

Leinbach Park and surrounding roads remained closed as authorities processed the scene. Police also urged the public to avoid flying drones in the area, warning that they could interfere with ongoing emergency operations.

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Country Daypop

Riley Green shares new song ‘My Way’ amid acting debut on CBS’s ‘Marshals’

Country artist Riley Green is branching into acting with a role in CBS’s Western drama Marshals, while also contributing new music to the series. His self-written track “My Way,” produced by Dann Huff, will be featured in the show and performed on-screen during the April 26 episode.

Green previously previewed “My Way” during recent performances in Australia, including stops in Sydney and Melbourne as well as the CMC Rocks festival.  He made his first appearance on the April 19 episode of the series portraying Garrett, a former Navy SEAL and past teammate of Kayce Dutton and Pete Calvin. His character arrives in Montana seeking closure from his past, turning to old allies for support.

Marshals centers on Luke Grimes returning as Kayce Dutton, who leaves the Yellowstone Ranch behind to join a specialized unit of U.S. Marshals. Drawing on his background as both a cowboy and Navy SEAL, Kayce works to combat crime across Montana while grappling with the emotional strain of the job and his responsibilities at home. The team includes Pete Calvin (Logan Marshall-Green), Belle Skinner (Arielle Kebbel), Andrea Cruz (Ash Santos) and Miles Kittle (Tatanka Means). Key figures in Kayce’s personal life—his son Tate (Brecken Merrill) and trusted allies Mo (Mo Brings Plenty) and Thomas Rainwater (Gil Birmingham)—remain central to his story.

The drama follows Kayce as he “leaves Yellowstone Ranch to join U.S. Marshals, using his cowboy and military skills to fight crime in Montana while dealing with family ties and the mental toll of law enforcement.” The show premiered to strong numbers, drawing more than 20 million viewers across platforms.

Outside of television, Green is currently on his Cowboy As It Gets Tour, which kicked off with sold-out shows in Australia. The run continues across the U.S. through the summer, highlighted by a sold-out headlining date at Nashville’s Bridgestone Arena and an upcoming appearance at the Stagecoach Festival.

Stream ‘My Way’ – HERE.

Editorial credit: Geoffrey Clowes / Shutterstock.com

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Country Daypop

Dan + Shay share the powerful new single “Say So”

Country stars Dan + Shay are opening a deeply personal chapter with their latest release, “Say So,” unveiled globally through Warner Records Nashville. Known for chart-topping love songs, the duo shifts into more vulnerable territory, delivering a moving reflection on grief, connection, and the importance of speaking up.

“‘Say So’ is a reminder that no matter what you are going through, you don’t have to go through it alone,” they share. “We wrote this song from a very personal place and could not be prouder to stand behind the message.”

The track was written by Dan Smyers, Shay Mooney, Jimmy Robbins, and David Hodges, with Smyers co-producing alongside Scott Hendricks. It emerged from a period of deep loss following the sudden passing of someone close to the duo, shaping one of the most emotionally resonant songs of their career.

Rather than focusing on romance, “Say So” confronts the weight people often carry in silence. It captures the shock of losing someone and the lingering question of what might have been said or done differently. At its core, the song extends a message of hope—encouraging listeners to lean on others and reminding them they are not alone.

A striking music video, directed by Smyers, further amplifies the song’s message. The release has been backed by a wide-reaching campaign, including support from platforms like Spotify, Amazon, Pandora, and YouTube, along with major radio premieres across networks nationwide.

“Say So” also signals the start of a fresh creative phase for the duo. After stepping away from touring to spend time writing and recording, they return with renewed focus and inspiration. The single offers an early glimpse into what could become their next full-length project.

See the video for ‘Say So’ – HERE.

Editorial credit: Kathy Hutchins / Shutterstock.com